About Witnesses / Les Temoins

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Name : V.A. Musetto / Alias : New York Post
Andre Techine's film features a strong ensemble cast. The film pulls no punches in its depiction of lives in crisis.

Name : Wesley Morris / Alias : Boston Globe
Witnesses takes us back to the turmoil in the Balkans. But the movie is not directly about the war. It's a cleverly told murder mystery.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
What the characters in The Witnesses - and the audience - pay testimony to in Andre Techine's urgent, compassionate, and ultimately optimistic French drama are the toll the epidemic has rung, and the responsibility of the living to choose life.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Director Andre Techine's story is one of subtle emotional tones that require the most of an actor, and the cast is uniformly compelling.

Name : Andrew Sarris / Alias : New York Observer
Andre Techine's The Witnesses (Les Temoins) treats the beginning of the AIDS epidemic, first in the United States and then spreading to the rest of the world in 1984, as a devastating medical atrocity in a war that is still raging.

Name : Jan Stuart / Alias : Newsday
Andre Techine's The Witnesses is one of the finest fiction-film accounts of a free yet frightful moment in time, when the relaxing sexual liberties of the previous decade were being squeezed by the onset of an unforgiving new virus.

Name : Michael Phillips / Alias : Chicago Tribune
Spanning a year beginning in the summer of 1984, The Witnesses offers the considerable satisfaction of a beautifully acted ensemble piece built on the foundation of a serious subject%u2014the dawn of the AIDS crisis%u2014handled just so.

Name : Marta Barber / Alias : Miami Herald
More than a thriller, the film is a portrait of the passions that drive ordinary people to kill and even worse, to accept the killing as something honorable.

Name : David Edelstein / Alias : New York Magazine/Vulture
Excitingly convoluted.

Name : John Anderson / Alias : Washington Post
In The Witnesses, [director] Techine levels his gaze on the '80s, an era of seeming innocence, perhaps license, and one in which biological freedom has led to a loose, even sloppily knit fabric of humanity.

Name : Stephen Holden / Alias : New York Times
The beautifully acted ensemble film The Witnesses sidesteps most of its opportunities for high drama, political sermonizing and the jerking of tears.

Name : Deborah Young / Alias : Variety
A fast-moving, engrossing multiple-character drama that brings the AIDS crisis of the 1980s into laser focus.

Name : David Wiegand / Alias : San Francisco Chronicle
Some may think the metaphoric possibilities of an incurable illness that can be transmitted through sexual contact have been all but exhausted. Director Andre Techine almost proves otherwise in The Witnesses, a kind of film opera without music.

Name : Roger Ebert / Alias : Chicago Sun-Times
The Witnesses doesn't pay off with a great operatic pinnacle, but it's better that way. Better to show people we care about facing facts they care desperately about, without the consolation of plot mechanics.

Name : Nathan Lee / Alias : Village Voice
Techine's triumph of compassion and craft shames the American cinema's indifference to gay history.

Name : Carina Chocano / Alias : Los Angeles Times
An ambling narrative, but an atmospheric one that feels authentic despite its unlikely character pairings.

Name : Michael Phillips / Alias : Chicago Tribune
Techine's graceful, forceful drama has the tact not to play narrative games with its subject.

Name : Dave Calhoun / Alias : Time Out
The occasional voiceover from Beart and a slightly mournful score from Philippe Sarde offer some sense of lament, but mostly this unfolds in the moment and is urgent and engaging.

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